Our world is rich with color – in nature, in our homes and offices, in our clothing, in the visual images on our computer screens and personal communication devices, and in the printed materials we read.
Not so long ago using full color in business printing added expense and time to production.
Not Anymore.
Digital
printing devices have dramatically changed the economics of full color
printing, leading to expanded use of color in branding, advertising and printed
products. This change means that marketing executives need to understand the
psychology of color and how it can be used to influence buyer behavior.
What
is color?
Color
results from energy waves grouped together in a color spectrum. In 1666, Sir
Isaac Newton observed that when pure white light passes through a prism, it
separates into single wave lengths of six different colors – violet, blue,
green, yellow, orange and red – that comprise the visible spectrum (the part of
the total spectrum that is visible to the human eye). A rainbow is a familiar
representation of the visible spectrum.
Color has three dimensions – hue, value and chroma.
Hue is the relative position of the color on the color wheel; its color family. The words warmer and cooler are often used to describe differences in hue.
Value is the lightness or reflectivity of a color. It is measured against a gray scale of white at the top and black at the bottom. The words lighter and darker are often used to describe differences in value.
Chroma is the intensity, purity, clarity or saturation of a color. It is measured by how far it departs from grayness. The terms clearer and grayer are often used to describe differences in chroma.
Colorants
are the materials used to produce color – inks, toners, pigments, dyes or
phosphors.
Color
influences moods, feelings and behavior. Just as graphic design enhances the
power of ideas being communicated to an audience, the color choices used in a
design also work on the audience to invoke a response or influence behavior.
The
psychology of color is the study of emotional response to color and has become
an important consideration in advertising and product design. In fact, color is
so important in branding that in 1985 the U.S. Supreme Court ruled that colors
can sometimes be a trademark eligible designation of origin.
Color psychology
How
an individual reacts to color is influenced by culture, ethnicity, gender and
age as well as the specific shade of the color. Kate Smith, CMG, CfYH, a
recognized color expert and the founder and contributing editor of
www.sensationalcolor.com, explains the general responses to color for people in
the Western Hemisphere in her article A Glimpse into the Meaning,
Symbolism and Psychology of Color. According to Kate, the responses
are based on research, historical significance of color and word association
studies. Here is Kate’s analysis.
Red has
more personal associations than any other color. Recognized as a stimulant, red
is inherently exciting and the amount of red is directly related to the level
of energy perceived. Red draws attention, and a keen use of red as an accent
can immediately focus attention on a particular element.
Orange, a
close relative of red, sparks more controversy than any other hue. There is
usually strong positive or negative association to orange and true orange
generally elicits a stronger “love it” or “hate it” response than other colors.
Fun and flamboyant orange radiates warmth and energy.
Yellow shines
with optimism, enlightenment, and happiness. Shades of golden yellow carry the
promise of a positive future. Yellow will advance from surrounding colors and
instill optimism and energy, as well as spark creative thoughts.
Green occupies
more space in the spectrum visible to the human eye than most colors, and is
second only to blue as a favorite color. Green is the pervasive color in the
natural world, making it an ideal backdrop in interior design because we are so
used to seeing it everywhere.
Blue is
the overwhelming “favorite color.” Blue is seen as trustworthy, dependable, and
committed. The color of ocean and sky, blue is perceived as a constant in our
lives. As the collective color of the spirit, it invokes rest and can cause the
body to produce chemicals that are calming; however, not all blues are serene
and sedate. Electric or brilliant blues become dynamic and dramatic – an
engaging color that expresses exhilaration. Some shades of blue may come across
as cold or uncaring.
Purple embodies
the balance of red’s stimulation and blue’s calm. This dichotomy can cause
unrest or uneasiness unless the undertone is clearly defined, at which point
the purple takes on the characteristics of its undertone. With a sense of
mystic and royal qualities, purple is a color often well-liked by very creative
or eccentric types and is the favorite color of adolescent girls.
Pink can
be youthful, fun, and exciting, and some have the same high energy as red; they
are sensual and passionate without being too aggressive. Toning down the
passion of red with the purity of white results in the softer pinks that are
associated with romance and the blush of a young woman’s cheeks. It’s not
surprising that when giving or receiving flowers, pink blossoms are a favorite.
Pink is the color of happiness and is sometimes seen as lighthearted. For women
who are often overworked and overburdened, an attraction to pink may speak of a
desire for the more carefree days of childhood.
Brown says
stability, reliability, and approachability. It is the color of our earth and
is associated with all things natural or organic.
Gray is
the color of intellect, knowledge, and wisdom. It is perceived as long-lasting,
classic, and often as sleek or refined. It is a color that is dignified,
conservative, and carries authority. Gray is controlled and inconspicuous and
is considered a color of compromise, perhaps because it sits between the
extremes of black and white. Gray is a perfect neutral, which is why designers
often use it as a background color.
Black is
authoritative and powerful; because black can evoke strong emotions, too much
can be overwhelming. Black represents a lack of color, the primordial void,
emptiness. It is a classic color for clothing, possibly because it makes the
wearer appear thinner and more sophisticated.
White projects
purity, cleanliness, and neutrality. Doctors don white coats, brides
traditionally wear white gowns, and a white picket fence surrounds a safe and
happy home.
Invoking
human emotion to sell a product or service is not new. Just be sure you
consider the psychology of color and its likely effect on the audience.
Reprinted
from Printing Arts Press The Word on the Street newsletter.
Posted by Chuck Gherman