Three Fantastic Print Ads (and how to make yours more memorable)

Does your brain ever feel tired? Some days, that’s probably due to information overload.

According to ad agency Red Crow Marketing, the average person living in the city 30 years ago saw up to 2,000 ad messages a day. Today, experts estimate we are exposed to over 5,000 brands per day (though research suggests only three percent of ads make a lasting impression).

Want to increase exposure and impact for your marketing messages?

To stick with viewers, your print ads need to be creative and clear! Here are three compelling print ad examples, with a few insights into what makes them so great.

A Better Job is Waiting

Created by Joe Public United, this print campaign for a job portal aims to motivate people to stop slogging it out in a job they don’t like. Smartly retouched photos show bored workers at their desks, workers who sat still for so long that mold started growing on their bodies.

Need the motivation to break out of your slump? There’s nothing like spiders building webs in your hair (while you play computer solitaire) to kick your complacent butt into gear.

The Secret to Success: This ad is powerful because it resonates with the job portal’s target customers in a way that elicits extreme emotion (i.e., dismay or disgust). Move your prospects forward with messages that ring true and deliver a message that is personally meaningful to your viewers.

You Eat What You Touch

Love dogs? You might feel a little less inclined after viewing this ad.

This unconventional ad shaped a pet Pug into a perfect replica of a loaf of bread on a cutting board to stress the importance of using soap. Something about fuzzy bread just makes a viewer shudder (while immediately taking action with good hygiene).

The Secret to Success: This ad is impossible to ignore because the visual is surprising and memorable. Viewers have to look twice to find the Pug on the cutting board, and once the image hits home, the message does too. Humor is linked to higher recall and increased sharing, and funny brands are seen as more relatable, human, and trustworthy. Have fun and make people laugh with your surprising, memorable print ads!

Neighbors

In 2010, FedEx wanted to display the accessibility of its global shipping options.

A rustic map of North and South America showed a man reaching out of a window near Florida to hand a Fed Ex box across the ocean to a woman reaching out her window in Brazil. DDB Brazil used a simple visual to convince viewers that sending a package to another country takes as little time as it would to place it in the hands of a neighbor.

The Secret to Success: By using a map of Brazil as well as an easy-to-understand visual concept, DDB was able to tap into the needs and desires of its local market. When crafting your ad, look to clearly communicate how your product or service fits into consumers’ lives or work, and how it can make them better, happier, and more fulfilled.

Tactile, Memorable Print

Print is tactile. Use this to your advantage by creating ads that are relatable, memorable, and clear. Increasing print engagement will help your advertising break through the clutter of not only the hundreds of ads people see each day but the thousands of brands that are competing for your customer’s attention.

To contact Chuck Gherman for more information about how Printing Arts Press helps organizations with their Marketing and Human Resource needs through print communications please visit www.printingartspress.com.


#print #directmail #printmarketing #marketing #printing #mail #banners #publications #marketingcampaigns #postcards #brochures


To address climate change, we must use more wood, not less.
Dr. Patrick Moore, Co-Founder, Greenpeace

Selling Yourself Without Selling Out

Lisa Price describes herself as “the accidental entrepreneur.”

She got her start in her mother’s Brooklyn kitchen, creating body butter and selling it at the flea market at her mother’s church. Customers would stop by, smell a few things, and ask one inevitable question: “Do you have anything for hair?”

Price made this her top priority and never looked back. “Carol’s Daughter,” Price’s ridiculously popular natural hair care and beauty brand, eventually became a multimillion-dollar business that sold to L’Oreal in 2014. Price says the ability to spot innovation, create something, and sell herself have been several keys to her success.

Negotiating Well and Staying True to Yourself

How do you sell yourself without selling out?

Price was committed to finding healthy ways for African-American women to care for their hair. She stayed true to this mission (though her customer base eventually included Caucasian women as well). While touting natural products in place of highly popular chemical relaxers used in salons, Price presented herself as a simple girl with simple solutions.

Her product popularity coincided with stints on the Home Shopping Network and the rise of YouTube. Price could offer product demos, educate young women looking for solutions, and bring affordable alternatives to young markets. In 2009, “Good Hair” (a documentary produced and narrated by Chris Rock) showed a can of Coca-Cola dissolving in a chemical relaxer, and momentum spiked: women using relaxers in their hair dropped from 89 percent to 36 percent in just two years.

“The Internet makes everything democratic,” said Price. “Larger companies got left behind.”

Along the way, Price grew comfortable negotiating for her company and fighting for herself without folding under pressure.

Want to emulate her experience?

While you may not feel very powerful before signing a new deal, career coaches say you have the greatest negotiating power during the short time between being offered a job (or a contract) and formally agreeing to take it.

Negotiating in these situations can increase your earning potential and ensure you’re properly compensated both now and in the future. So prepare well before coming to the table! This may include researching market averages, calculating your value (or your product value), and preparing your talking points in advance (i.e., years of experience, sales goals achieved, or unique benefits your product can bring).

Rehearsing with a friend, asking for more than your target number, and communicating with confidence can bring significant gains when you sit down to negotiate. And don’t worry about offending. Forty-three percent of job recruiters say it doesn’t impact their view of a candidate if one negotiates for salary, and 19 percent said it has a positive impact.

Price shared her advice for when an acquisition or initial salary offer isn’t right. Her script went something like this:

“I appreciate everything about this deal and am so excited, but if I have to live with this particular offer, it might be hard for me to be fully there and present. I don’t want to be distracted and thinking about other opportunities, so . . . ” Here, Price would lean in, give a specific ask, and let the chips fall. (It worked; she got more money.) When it came time to sell her company in 2014, Price said that outside of her marriage and children, this was the proudest moment of her life.

Negotiating is incredibly important because when you stand up for yourself, you tap into your skills to ask for more. This ultimately sends a message that you deserve it – which means you’re more likely to receive that request!


To contact Chuck Gherman for more information about how Printing Arts Press helps organizations with their Marketing and Human Resource needs through print communications please visit www.printingartspress.com.

#print #directmail #printmarketing #marketing #printing #mail #banners #publications #marketingcampaigns #postcards #brochures

To address climate change, we must use more wood, not less.
Dr. Patrick Moore, Co-Founder, Greenpeace

A Finish that Won't Fade

Did you use Play-doh as a child?

Ever inadvertently leave your simple shapes to harden in the open air? Though your brittle pieces later crumbled, a simple finishing process would have sustained them for centuries. Ceramic firing transforms malleable clay into a rock-hard, durable substance. The additions of underglaze, luster, and around 930 degrees Fahrenheit can vitrify clay creations from goo to gorgeous, glass-like pieces that are impervious to water and time.

In ceramics and in print, the finishing process is nearly as important as the design itself. Finishing refers to the services applied to your print piece after the ink hits the paper. These can be added before or after the paper comes off the press, and examples of finishing services include aqueous or UV protection coatings, binding or collating, trimming or folding, stamping, laminating, perforating, mounting, or coatings like matte or satin varnishes.

Fabulous Finishing Techniques in Design and Print

In the past, many of the rock-star finishing options were impossible for the budget-conscious customer.

Things like die-cutting, embossing, or foil stamping options were saved for the fanciest invitations or a “lifestyles of the rich and famous” print run. Today, however, technology has transformed ordinary printing, decreasing the time and expense it takes to create textured, fabulous pieces.

Ready to take your work up a notch but not sure what your options include? Here is a basic menu of finishing services accessible to you today:

Trimming or Die-Cutting

Trims can be used to shear or reduce a printed piece along crop lines, page borders, or into a unique or fun shape that expresses your brand (like business cards in the shape of a coffee cup).

Foil Stamps or Blocking

This process is creating by pressing metal dies (or colored foil) onto a surface with a heated die. This process is used mostly to enhance typography and logos.

Embossing or Debossing

This allows you to press an image into a paper or card to create a three-dimensional design.

Embossing results in a raised surface while debossing brings a depressed (indented) surface. This is a great way to give your design impressive dimension and texture.

Perforation or Unique Folds

Perforating creates a series of fine holes to allow a portion of the printed piece to be easily detached (think coupons, ID cards, RSVP slips, or ticketing items).

Non-traditional fold options include everything from accordion and zig-zag styles to overlapping or tapered die-cuts that create wonderful visual texture. Looking for inspiration? A quick conversation with our design team will undoubtedly spark creativity!

Laminating or Binding

Laminating binds clear plastic film onto printed matter to improve durability and protect it against smudges, wrinkles, or tears.

Binding options include anything from a simple staple or comb binding to saddle stitching, screw binding, combs, spirals, and more.

Varnish and Coating Options

Commercial print applications (like brochures, business cards, and packaging options) typically apply a protective coat that seal the ink and enhance visual appeal.

Coatings range from basic machine and aqueous varnishes to UV coatings and high build varnishes that have the appearance of water or wax. Confusing? No problem. Our experts can guide you through the best varnish or coating options for your particular project.

Ready to turn heads with a resounding finish? Go big and bold to make your next printing soar.


To contact Chuck Gherman for more information about how Printing Arts Press helps organizations with their Marketing and Human Resource needs through print communications please visit www.printingartspress.com.


#print #directmail #printmarketing #marketing #printing #mail #banners #publications #marketingcampaigns #postcards #brochures


To address climate change, we must use more wood, not less. Dr. Patrick Moore, Co-Founder, Greenpeace

A Beginner's Guide to Correct Printing Resolution

Design resolution refers to the sharpness and detail of images, and print resolution is measured in DPI, or dots per inch. Quite simply, the more dots of ink that are printed per inch, the higher the resolution, sharpness, and quality you will find in an image. High-quality images are stunning, seeming to leap off the page, while low-quality images look fuzzy, indistinct, and very unprofessional.

Looking for a beginner’s guide to get the best possible outcome in your design and print? Here are a few basics on proper print resolution:

Go Big (But Not Too Big)

When you’re creating your source image (the image you want to be printed), make sure it has a suitable resolution.

The higher the DPI, the better the image quality. But don’t go too big – higher resolution images can create larger file sizes. For printed pieces, the ideal resolution is 300 DPI for images at the final printed size.

If you’re taking pictures from a digital camera for your project, its best to set your camera to the highest resolution setting. You can always “scale down” the resolution on an image later (but you can never scale a poor resolution up). Also, remember that a large file size does not necessarily mean the file itself has a high resolution. The best way to be sure your file is at least 300 DPI is to go into the image information and double check.

Avoid Website Images

Web images are created digitally from electronic pixels.

Pixels are box-shaped units of colors that join to create visually recognizable images. The resolution of web images is usually around 72 PPI (pixels per inch), which works well digitally since these images take less storage space and load quickly on screens. However, this lack of detail causes images to look jagged or blurry when printed on commercial presses.

To get the best quality design for print, make sure source photos are coming in at 300 DPI, and use design programs like Adobe InDesign or Illustrator to handle text and create vector logos and other design elements.

Zoom in or Adjust Proportions

When working with your design, remember your screen resolution may not accurately reflect your image resolution because monitor displays usually have about 72 to 116 pixels per inch.

To accurately view the print resolution of your image, zoom in to 300-400%, and observe the quality of your project.

Also, image resolution is directly and inversely proportional to an image’s physical size. When you increase the resolution of an image, it reduces in physical size. When you physically enlarge an image, it lowers in resolution. This means you cannot make a 72 DPI image 300 DPI by dragging it up in size.

Resolve to Finish Well

By understanding the basics of print resolution, you can avoid unnecessary headaches and ensure your job is done on time and looks great.

Have any questions? Call today; we’re always happy to help!

To contact Chuck Gherman for more information about how Printing Arts Press helps organizations with their Marketing and Human Resource needs through print communications please visit www.printingartspress.com.


#print #directmail #printmarketing #marketing #printing #mail #banners #publications #marketingcampaigns #postcards #brochures


To address climate change, we must use more wood, not less.
Dr. Patrick Moore, Co-Founder, Greenpeace

Find Language to Express Your Ideal Design

Design involves a special kind of communication.

First, creators must have an idea or concept in mind. Second, they need to articulate their ideas in ways graphic designers can bring to life on a page. This requires a common language, and sometimes graphic designers are known for having a vocabulary all their own.

If you’re working on a design concept, knowing the right terminology will help you communicate to produce the results you envision.

Here are some design adjectives that can help you articulate the concepts you’d like to see in your next print project:

Cool vs. Warm

On the color wheel, warm colors range from yellow to red-purple.

Those colors that are reminiscent of fire or the sun are called warm colors. These hues are reds, oranges, yellows, and pinks. Warm colors communicate energy, playfulness, happiness, sociability, and optimism.

Cool colors include blue, greens, and purple. These colors typically stand for sky, space, water, and nature, and communicate a calming or relaxing tone. Cool colors imply dependability, trust, growth, beauty, confidence, and power.

Minimalist vs. Maximalist

Minimalism is a style or technique that is characterized by cleanness, simplicity, and expressing the most essential ideas.

Minimalist designs use a small number of colors, simple lines, flat designs, or plenty of negative space.

Maximalist or baroque designs are lavish, highly decorative, or triumphant (think ornate wedding invitations). Minimalist designs are sparse and clean, while maximalist designs are exotic or busy.

Feminine vs. Masculine

Feminine designs are usually characterized by details such as soft color palettes, florals, and cursive writing. They may employ fluid, flowing fonts, pastel colors, facial close-ups or silhouettes, or feminine associations such as love, curves, fashion, or beauty.

Masculine designs are typically more rugged, monochromatic, or modern (think IKEA kitchen layouts). They may feature gritty images, thick fonts, hard edges, and darker color schemes.

Playful vs. Professional

Playful design styles are fun, giving an informal (rather than rigid) vibe.

Playful tones may be colorful, fantastical, non-realistic, or cartoon/caricature focused. Often these concepts focus around animals, mascots, illustrations, and impish font pairings.

Professional designs are usually characterized by muted colors and minimal details that represent conservative ideas. Formal tones are communicated with straight, classic font types, simple shapes or objects, minimalist and geometric use of line art, and cool colors (think college diplomas).

Abstract vs. Literal

Abstract designs shape images that are unhindered by what these objects might actually look in real life.

Abstract designs (like this Starbucks water bottle) are imaginative and varied, including ambiguous shapes, contemporary color palettes, curves and splatters, geometric patterns, or blurred images.

Abstract art utilizes pure colors, shapes, and forms to express meaning (without getting bogged down in the storylines carried by objects and scenery). Abstract art can touch the emotions in a raw and powerfully direct way.

Literal designs are just the opposite, with concrete, objective ideas. Literal designs use sharp images, bold and simple fonts, and clearly defined limits.

Vintage vs. Modern

Vintage or retro (short for "retrospective") is a style derived from trends of the recent past.

These designs incorporate rustic, nostalgic elements, including visual clues such as old letterpress, hand-drawn typefaces, ornate ribbons, sepia-filtered photos.

Modern designs are just the opposite, often changing in style. In 2019, modern graphic design trends include 3D design and typography, duotones and gradients, warm or moody color palettes for photos, and asymmetrical layouts.

One of the easiest ways to have a better client-designer working relationship is to align your project's design style. Use this guide to get you started as a handy reference to communicate your ideas from start to print!


To contact Chuck Gherman for more information about how Printing Arts Press helps organizations with their Marketing and Human Resource needs through print communications please visit www.printingartspress.com.


#print #directmail #printmarketing #marketing #printing #mail #banners #publications #marketingcampaigns #postcards #brochures

To address climate change, we must use more wood, not less. Dr. Patrick Moore, Co-Founder, Greenpeace